Violinist Jeremy Williams is from Albany, New York. He moved to Nashville in 1998 when he joined the Nashville Symphony. He holds bachelor’s degrees in music and psychology from the University of Michigan and a Master’s Degree in Music from Carnegie Mellon University, where he studied with Andres Cardenes. Throughout his career, Jeremy has played with many orchestras and chamber ensembles. In addition to regular appearances with ALIAS, he has played with Excelsior String Quartet and the Red Springs Ensemble, which he founded. As an educator, Jeremy leads a string quartet that performs programs for young people in Tennessee schools. His dog has convinced him that Nashville summers are too hot, so they retreat north whenever they get the chance.
After 19 years of wandering, Roger Wiesmeyer came home to play English Horn in the Nashville symphony in the fall of 2001. Before settling here, he received a Bachelor's degree from the Curtis Institute of Music and played in the Pittsburgh and San Francisco symphonies. Roger also plays oboe and piano and finds music a constant source of delight and solace.
Passionate about music of all time periods, cellist Christopher Stenstrom is equally at home whether performing contemporary solo cello works, chamber music masterpieces or Baroque and Classical music on period instruments. A member of the Nashville Symphony since 1999, Chris is a founding member ALIAS and can be heard regularly as a chamber musician, including performances with the Nashville Symphony’s OnStage program. He is increasingly in demand as an early music specialist, performing as a solo and continuo cellist with Music City Baroque, and with Bourbon Baroque. Chris studied with the late Andor Toth, Jr. at the Oberlin Conservatory of Music, where he also studied viola da gamba and baroque cello with Catharina Meints. He received a master’s degree from Bowling Green State University, where he studied with Dr. Alan Smith. He is an active volunteer in the nonprofit arts community, serving on the boards of Music City Baroque and the Nashville Philharmonic Orchestra.
After two years as an English major at James Madison University, cellist Matt Walker transferred to Florida State University, where he received his Bachelor’s Degree in Music. After playing for three years with the Jacksonville Symphony and then five years with the Charleston Symphony, he won a position in the cello section of the Nashville Symphony in 1999. In 2002, Matt helped found ALIAS and he has since appeared regularly with the ensemble as a cellist, bassist, guitarist and composer. ALIAS has presented several world premieres of Matt’s compositions and he is featured on the group’s Grammy-nominated CD “Hilos,” which he also co-produced. As a composer as well as a performing musician, Matt has written many pieces that have been performed across the U.S. and in Europe. In 2012, he was commissioned by the Nashville Ballet, which performed his “Arabian Blues” in May 2012. That same month, Yo-Yo Ma premiered Matt’s cello duo “Yo-Yo Joe.”
Pianist Melissa Rose has enjoyed a thirty-year career as a collaborative pianist, performing internationally and throughout the United States. Critics describe her as “powerfully musical” (Kansas City Star) and “an exceptional partner” (kcmetropolis.org). In addition to ALIAS, she appears regularly with Summerfest Concerts in Kansas City. Her chamber music recordings are on the Naxos, Centaur, Blue Griffin, Delos, and Good Child Music labels. An Associate Dean and Associate Professor of Piano at Vanderbilt University’s Blair School of Music, she enjoys teaching collaborative piano and coaching both vocal and instrumental chamber music.
Leslie Norton currently plays principal horn with the Nashville Symphony and teaches at Vanderbilt University. She hopes to perform more chamber music with her husband Chris, provided it doesn't take too much time away from her gardening and running in the park. Norton also serves as principal mom, head coach, and spiritual advisor to her children Emily and Elise.
Clarinetist Lee Levine has recorded chamber music for the Gasparo label, orchestral music for the Naxos label, and popular and commercial music for a number of Nashville’s top producers. She studied music at the Peabody Conservatory in Baltimore; is a recipient of Tanglewood Music Center’s Cabot Prize for Outstanding Instrumentalist; and earned two nominations for Outstanding Instrumentalist from Nashville Music Awards. Lee recently retired from a 30-year orchestral career, which included positions as principal clarinetist with the Bogota Philharmonic, the National Repertory Orchestra and the Nashville Symphony. She remains an active chamber musician and recording musician.
Licia Jaskunas has been principal harpist with the Nashville Symphony since 1998. Previously, she played with the New World Symphony for two years and spent four summer seasons with the Utah Festival Opera Company. She also performed with orchestras of the Tanglewood Music Festival, the Pacific Music Festival, and the Spoleto Festival. She studied at Indiana University, and the Eastman School of Music and was winner of the American Harp Society's National Competition in 1987.
Alison Gooding has been a member of the Nashville Symphony since 1998. With degrees from Florida State University and University of Cincinnati - College Conservatory of Music, she has also performed with the Columbus Symphony Orchestra and the Tallahassee Symphony Orchestra. She is continually involved with additional projects, and is a founding member of ALIAS Chamber Ensemble. An active recording musician, she also dedicates time to education, both through teaching and outreach. In this pursuit, she has served not only with the Nashville Symphony, but also as educational coordinator for ALIAS, and as a teaching artist with the TPAC/Wolftrap Early Learning through the Arts programs in Middle Tennessee. In addition, she is an adjunct faculty member at Belmont University. She has played in venues around the world, is the recipient of many honors, including the prestigious Mautz Award, and donates her time to various charitable organizations, including Big Brothers Big Sisters.
Sari DeLeon Reist performs regularly with some of Nashville’s finest musicians and ensembles, both on stage and in the recording studio. She plays with the Nashville Opera Orchestra and is a regular substitute with the Nashville Symphony. She was also a soloist with the Nashville Chamber Orchestra and the Nexus Chamber Orchestra. In the popular realm, Sari can be heard on recordings by Lady Antebellum, Kings of Leon, Ben Folds, Train, Carrie Underwood and many others. Sari received her Bachelors of Music degree in cello performance from San Francisco Conservatory of Music. Later, she received her Suzuki Certification from School for Strings in New York City. She has served on the faculties of School for Strings, Mannes College of Music, The Children’s Orchestra of New York and the Governors School for the Arts in TN.
Zeneba Bowers, ALIAS’ Artistic Director, earned both her Bachelor and Master of Music degrees from the Eastman School of Music. She has served as concertmaster of Charleston’s Spoleto Festival, Festival dei Due Mondi in Spoleto, Italy and the New World Symphony. Zeneba joined the Nashville Symphony in 1999 and became Assistant Principal Second Violin in 2001, a position she holds to this day. She helped found ALIAS in 2002 and the group quickly became a major element of Nashville’s classical music scene. The group garnered a Grammy nomination in 2011 for “Best Small Ensemble Performance” on its debut CD, “Hilos,” which Zeneba co-produced.
Praised for his "sweet, luxurious" sound (Fanfare), violinist Stephen Miahky was recently appointed the Joseph Joachim Professor of Violin and First Violin of the Blair String Quartet at Vanderbilt University. He has garnered acclaim for his performances as a recitalist and a chamber musician throughout North America and Europe. His most recent engagements include performances at New York City's Symphony Space, Merkin Hall, and Bargemusic, Atlanta's ProMozart Society, the Princeton Chamber Music Society, the Southwest Virginia Festival of the Arts, Vancouver's Sonica Boom Festival, the American Academies in Rome and Belin, the Netherlands' De Lakenhal, NPR's Performance Today, and for the Dalai Lama.
As a chamber musician, Miahky has performed at Monadnock Music, the Walla Walla Chamber Music Festival, Kneisel Hall, Chamber Music Ann Arbor, with the Michigan Chamber Players, the Bryant Park Quartet, the iO Quartet, and with the Pittsburgh New Music Ensemble. He has performed with such distinguished musicians as Cho-Liang Lin, Nicholas Eanet, Martin Beaver, Norman Fischer, Steve Doane, and members of the Arianna, Chester, Concord, Tokyo, and Los Angeles Piano Quartetes. Miahky is currently a member of Brave New Works, and a rotating concertmaster with the IRIS Orchestra in Memphis, TN. He has also served as guest concertmaster of the Columbus ProMusica Chamber Orchestra, the Illinois Symphony, the Kansas City Symphony and the River Oaks Chamber Orchestra in Houston.
Miahky has been a soloist with the Bowling Green Philharmonia, Ohio University Symphony Orchestra, Cornell Symphony Orchestra, the Cornell Chamber Orchestra, the Ann Arbor Symphony, the Brave New Works Ensemble, the Aspen Contemporary Ensemble, the IRIS Orchestra, and the University of Michigan Philharmonia. He can be heard on the AMP, New Dynamic, Edition Modern, Albany, and Naxos record labels.
A native of Akron, Ohio, Miahky received his D.M.A. from Rutgers University where he received the Bettenbender Award for outstanding artistic achievement. He received his B.M. and M.M. from the University of Michigan and remains the university's only two-time winner of the Earl V. Moore Award for outstanding achievement. Miahky studied chamber music with Andrew Jennings, Martin Katz and members of the Cleveland, Julliard, American and Tokyo String Quartets, and received additional training at the Aspen Music Festival, the Meadowmount School, the Perlman Music Program, Canada's National Arts Centre, and the Blosson Festival. His major teachers include Arnold Steinhardt, Paul Kantor, Stephen Shipps, and Alan Bodman. He has served on the faculty of the Point Counterpoint Chamber Music Camp, Cornell University, Ohio University, Bowling Green State University, and has given master classes throughout North America and Korea. In addition to Vanderbilt University, Miahky serves on the faculty of the Montecito International Music Festival in Thousand Oaks, CA.
As a classical guitarist, and specialist on the Renaissance and Baroque lutes, Francis Perry has appeared at colleges and music festivals in the United States, Italy, and Spain. Along with his duo partner, Timothy Broege, Mr. Perry was a featured performer at the American Recorder Society’s concert series at the Boston Early Music Festival. Mr. Perry serves as Artistic Director for The Nashville Early Music Festival, with its inaugural event in September, 2015 at Lipscomb University. He holds a Bachelor’s degree from the North Carolina School of the Arts and a Master of Fine Arts degree from Rutgers University. A member of Music City Baroque for the past 8 years, he teaches lute and guitar at Belmont University.
Christopher Norton is Professor of Music and Director of Percussion Studies at Belmont University. He received his Doctor of Musical Arts degree from Louisiana State University, and his Master's and Bachelor's degrees from the Eastman School of Music. He often performs with the Nashville Symphony, Nashville Chamber Orchestra, and Jack Daniel's Silver Cornet Band. Norton's dog really likes his solo marimba CD entitled "Christopher Norton: Creston Concertino for Marimba," and his family doesn't object to it. His favorite music is his children's laughter and anything his wife plays on horn.
Lea Maitlen, a classically trained vocalist, is a founding member and Executive Director of the critically acclaimed Nashville-based Portara Ensemble. She obtained a Bachelor of Music degree from the University of Colorado at Boulder and a Master of Music degree from Belmont University. Maitlen is a specialist in contemporary vocal music, and has performed the Tennessee premieres of Caroline Shaw's “Cantico delle creature”, Richard Danielpour's "Portraits, and the soprano in David Lang's Pulitzer Prize-winning "Little Match Girl Passion." She has also performed the World Premiere of Daniel Elder's "The Ties Eternal" with ALIAS Chamber Ensemble.
As the Senior Marketing Manager of the Naxos of America marketing team until 2012, Maitlen produced several commercially released recording series and led various successful campaigns to launch new classical music CD recordings into the American market. Her critical successes include spearheading the American releases of ALIAS Chamber Ensemble’s Grammy nominated "Hilos: Chamber Music of Gabriela Lena Frank," James Whitbourne’s "Luminosity" (performed by Commotio), the Elora Festival Singers’ Grammy nominated recording of the music of Eric Whitacre, and the the King’s Singers acclaimed "Pater Noster" CD recording, in which she played an integral A&R and producer role.
Nashville native and bassist Tim Pearson performs regularly with the Nashville Symphony, Kansas City Symphony, IRIS Orchestra, Chattanooga Symphony and the Clarksville based Gateway Chamber Orchestra. As instructor of double bass at MTSU, he performs with the Stones River Chamber Players and recently premiered the “Iberian Concerto for Double Bass and Wind Ensemble” by Spanish composer Jesus Santandreu. He earned degrees from the University of Memphis and Indiana University and did additional studies with Bruce Bransby and Paul Ellison. Tim resides in Nashville with his wife, pianist Megan Gale with whom he enjoys jogging, watching hockey and drinking delicious beer and for whom he enjoys attempting to make delicious cakes.
Philip Dikeman is currently Associate Professor of Flute at The Blair School of Music at Vanderbilt University, a position he assumed in 2011. Prior to joining the faculty at The Blair School, he was a member of the Detroit Symphony Orchestra for almost 20 years. During his tenure with the DSO, he held the position of Assistant Principal Flute as well as Acting Principal Flute for his final two seasons. In addition, he has played Guest Principal Flute with both the Minnesota Orchestra and the St. Louis Symphony and joined the Los Angeles Philharmonic on their 2010 U.S Tour as Guest Associate Principal Flute.
In chamber music, Mr. Dikeman was a member of the Detroit Chamber Winds & Strings for 18 seasons. His performances with DCWS included regular appearances on their subscription series, as well as various tours including Weill Recital Hall at Carnegie Hall and Lucerne, Switzerland. He was also a featured performer for the Great Lakes Chamber Music Festival while still a member of the DSO. He has made recital and master class appearances throughout the United States, including Los Angeles, Boston, Chicago, Cleveland, and Interlochen.
In 2014, he was honored to accept the role of Program Chair for the National Flute Association’s 2014 Convention, aptly titled “Perform, Inspire, Educate!” Also, in the spring of 2015 he traveled to Berlin with the Blair Woodwind Quintet to play a concert at the invitation of the Berlin Philharmonic Woodwind Quintet.
Born and raised in Seattle, Washington, flutist Kathryn Ladner joined the Nashville Symphony as third flute and piccolo in 2012. Prior to joining the Symphony, she received a Masters in Music from Rice University, where she studied with Leone Buyse. Her undergraduate education was at the Eastman School of Music, where she studied with Bonita Boyd, graduating in 2010. Kathryn has also performed as part of the National Repertory Orchestra, the Pacific Music Festival, and the Aspen Music Festival, where she was the Piccolo Fellow in 2010.
Since moving to Nashville, Kathryn has performed with the Eastwood Chamber Ensemble, taught lessons at the W.O. Smith School, and performed educational programs in public schools. She lives in East Nashville, where she enjoys taking walks with her dog at Shelby Park.
Pianist Arunesh Nadgir has performed as soloist and chamber musician in the United States, South America, Europe, and Asia. He has performed in venues including Weill Recital Hall at Carnegie Hall, Kodak Hall at the Eastman Theatre, and Jordan Hall, and has participated in several international music festivals including the Millennium International Piano Festival, The Moulin d’Ande Festival, and the Kneisel Hall Summer Music Festival. He has been heard on WPLN and WNYC in live radio broadcasts.
An accomplished teacher, Nadgir is an Assistant Professor of Piano at Middle Tennessee State University. He maintains a private piano studio, is the President of the Middle Tennessee Music Teachers Association, and teaches at the Point CounterPoint Music Camp in Vermont during the summer
Nadgir began taking piano lessons at the age of seven with Michael Thomopoulos and later studied under Wha Kyung Byun, Robert McDonald, and Natalya Antonova. He has performed in master classes conducted by many world-renowned musicians including Julian Martin, Joseph Kalichstein, Roger Tapping, Pamela Frank, and Daniel Pollack. Nadgir holds degrees from the New England Conservatory of Music, The Juilliard School, and the Eastman School of Music.
Described as a “true musical talent and professional” (Ivan Trevino, Composer), Eric Willie has a varied career as a solo performer, chamber musician, orchestral player, and teacher. He has performed in Carnegie Hall, several Percussive Arts Society International Conventions, the Big Ears Music Festival, and on regional live broadcasts such as Nashville’s NPR Station “Live In Studio C.” Eric regularly performs with the Nief-Norf and LegalWood Projects. In addition to performing, Eric serves as Director of Percussion Studies at the University of North Carolina at Greensboro.
Until recently, Rebecca Willie lived in Nashville where she played in the Nashville Symphony, served as Concertmaster of the Nashville Philharmonic, and performed chamber music wherever she could including Alias, Eclectic Chamber Players, and Legal Wood Project. In June 2014, Rebecca and her family moved to Greensboro, NC so her husband could accept a fantastic job at UNC-Greensboro. In September of 2014, Rebecca won Assistant Concertmaster of the Winston-Salem Symphony where she now plays. She continues to keep her connection to Nashville alive by performing with Alias and serving as Principal Second violin of the Nashville Opera.
Christina McGann has been a featured performer at the Kennedy Center, the Tel Aviv Performing Arts Center, New York City’s Merkin Hall, Symphony Space, and Bargemusic, and at various venues throughout the U.S., Korea, El Salvador, and Europe. She has also performed concertos with orchestras including the National Symphony Orchestra, the Richardson Symphony Musica Bella Orchestra in New York, the Moldovan Chamber Orchestra, the National Chamber Orchestra in Washington D.C., Ohio University New Music Ensemble, and the St. Petersburg Academic Symphony in Russia.
McGann has had great success at national and international competitions, winning top prizes at the National Symphony Young Soloist Competition, the Lennox Competition, the Ackerman Chamber Music Competition with Trio Artica, and the Rischoff Chamber Music Competition, junior division. She was also awarded Third Prize at the Johansen International Competition and Second Prize at Chamber Music Yellow Springs with the iO Quartet.
McGann holds both B.M. and M.M. degrees in violin performance from The Juilliard School, where she was accepted with Presidential Distinction. Her principal teachers include Ronald Copes, Victor Danchenko, Robert Mann, and Donald Weilerstein. Christina is currently a doctoral candidate at SUNY Stony Brook under the guidance of Soovin Kim, Philip Setzer, and Hagai Shaham.
Also an avid educator, McGann began her teaching career in New York City as a Juilliard Morse Fellow – a program that places Juilliard students who are extensively trained as artist-educators into public school classrooms on a weekly basis throughout the school year. In addition to private teaching experience, McGann taught as part of Juilliard’s Instrumental Music Program, has been on faculty at Brooklyn College Preparatory, coached chamber music as a graduate assistant at SUNY-Purchase and received her Suzuki pedagogy training through all books at New York City’s School for Strings. She has also served as Artist in Residence at Ohio University School of Music. She currently serves as Adjunct Artist Teacher of Violin at Vanderbilt University’s Blair School of Music.
McGann is also a sought-after orchestral musician, and has been guest concertmaster of the National Philharmonic Orchestra and the Cape Cod Symphony.
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